ANAGPIC 2018 Student Papers & Posters

Presented at the 2018 Annual Student Conference hosted by Queen’s University, 2018.

Presentations

Analysis and Conservation of Portrait of a Young Man, Formerly Attributed to Édouard Manet
Becca Goodman,Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

Title of Work
Austin Anderson,Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles

Title of Work
Emily Rezes, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles

Title of Work
Lindsay Ocal, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles

From Polyptych to Easel Painting: A Panel from A Dismembered Altarpiece by Giusmto De’Menabuoi
Hae Min Park, Conservation Center, Institute of Fine Arts, New York University

“At once the most delicate and lasting of our materials”- Considerations in the Treatment of a Late 18th-Century Cut-Hair Memorial
Andrew D. Wolf, Conservation Center, Institute of Fine Arts, New York University

A 19th-Century Aquarium: How Collaboration Informed the Technical Study and Treatment
Haddon Dine, Winterthur/University of Delaware Program in Art Conservation

Investigation into the Reduction of Foxing Stains in Paper (presentation)
Madison Bockman, Winterthur/University of Delaware Program in Art Conservation

Investigation into the Reduction of Foxing Stains in Paper (paper)
Emily Farek, Winterthur/University of Delaware Program in Art Conservation

Plump & Pliant: Fluid Retention in the Presentation of Cellulose-based Bioart
Courtney Books, Art Conservation Program, Queen’s University

An Investigation into the use of Ionic Liquids for the Removal of Surface Coatings
Brandon Finney, Art Conservation Program, Queen’s University

Title of Work
Madeline Corona, Harvard Art Museums

Alexander Gardner’s Photographic Sketch Book of the War
Laura Panadero, Harvard Art Museums

Lightning Round or Posters

Fading Foxing
Alison Brewer,  Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

The Historic Manufacture of Transparent Papers
Grace Walters,  Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

Characterization of Four Polymer Tracing Papers
Carolyn Burns,  Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

Treatment of a 16th-17th C. Panel Painting Attributed to Paul Brill
Jen Munch,  Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

Treatment and Research of a Floral Still Life Painting
Elizabeth Robson,  Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

Sankofa: The Conservation Treatment of “The Surveying of Washington, DC by Benjamin Banneker”
LaStarsha McGarity,  Patricia H. and Richard E. Garman Art Conservation Department, Buffalo State College

The Examination and Treatment of a Vejigante Mask
Elena Bowen, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles

Analysis and Treatment of an Ipu Heke
Skyler Jenkins, Conservation of Archaeological and Ethnographic Materials, University of California, Los Angeles

Monitoring Climate at Villa La Pietra
Katherine Parks, Conservation Center, Institute of Fine Arts, New York University

Demystifying “Monotypes” by Hedda Sterne
Rachel Mochon, Conservation Center, Institute of Fine Arts, New York University

Documenting DayGlo: Photodocumentation of Color Fading and Fluorescence Decrease
Chantal Stein, Conservation Center, Institute of Fine Arts, New York University

Title of Work
AKeara Teeter, Winterthur/University of Delaware Program in Art Conservation